Michael Kaphengst
Your work integrates complex philosophical ideas about linearity and process. Can you elaborate on how your philosophical views influence your artistic decisions and how you translate these abstract concepts into visual art?
“As an artist, I draw inspiration from my life experiences and everyday observations. While my work may touch on philosophical themes, I don’t consider myself a philosopher. Instead, I strive to stay true to my artistic direction, experimenting and refining my ideas over time. Like great artists before me, I avoid copying and instead pursue my unique vision. My ‘FENCING PICTURES’ series reflects this individuality and recognizability.”
What do you think these unconventional tools and techniques contribute to the discourse on modern art by developing unique methods such as painting with a rapier? How do they challenge the traditional perception of the viewer and the art world?
“Unconventional tools and techniques in art contribute significantly to the discourse on modern art. By developing unique methods, such as painting with a rapier, artists challenge traditional perceptions held by viewers and the art world. These unconventional approaches stand out from academic norms, emphasizing authenticity over technical perfection. In a saturated online art landscape, original ideas are essential. Personally, I prioritize an artist’s biography and unique perspective over formal degrees from academies.”
“My artistic style, ‘FENCING PICTURES - ABSOLUTE LINEARISM,’ offers a fresh perspective in painting—one that defies traditional notions of perfection. Rather than adhering to a rigid standard, I embrace playfulness and spontaneity. Consider the contrast between Salvador Dalí’s meticulous precision and Cy Twombly’s expressive detachment; both artists achieved their own form of perfection. Similarly, my work reflects my individuality, allowing thoughts and colors to flow freely. In today’s saturated art landscape, standing out and creating novel ideas is challenging, but platforms like social networks provide visibility. I’ve shared my ideas online, leading to global exhibitions and recognition. My unwavering belief in these concepts prompted me to trademark them with the Patent Office years ago.”
How do you see your personal history—particularly your early separation from your mother and your later reunification—as influencing the thematic and emotional depth of your work? Do you consciously weave elements of your personal narrative into your art, or do they emerge organically?
“Reflecting on my personal history, particularly my early separation from my mother and later reunification, profoundly influences the thematic and emotional depth of my work. These experiences are woven into my art—sometimes consciously, sometimes organically. The inner conflict, tension, and health struggles stemming from that time continue to shape my creative expression. Additionally, my mother’s musical talent, particularly her ability to play the piano and organ, left a lasting impression on me as a child.”
Your "consumptive surrealism" critiques consumer culture in a surrealistic style. In what ways do you think this approach effectively communicates your criticisms compared to more direct or traditional forms of social commentary?
“My ‘consumptive surrealism’ doesn’t necessarily aim to be critical; rather, I appreciate its existence. Similar to capitalism, consumption, and the production of consumer goods, it serves as an essential engine driving our world. My statement—‘I am of the opinion that it is not possible to escape a linear process’—captures this well. Imagine a world without these processes—it would lack dynamism. While I acknowledge issues related to excess and disposal, I recognize the importance of this engine. Without it, there would be limited development, competition, and conflict.”
With your exploration of “extreme linearism” you mentioned a focus on the dynamics of rotating motion. How do you think this specific style will influence or change the viewer's understanding of time and space in everyday life?
By emphasizing consistency and dynamism, my style invites viewers to reconsider their understanding of time and space in everyday life.
When I invest hours in creating a line, the process becomes an intimate experience. The uncontrolled circling of the pen—akin to life’s unpredictable twists—creates a haptic automatism. Viewers encounter this intensity, prompting them to reflect on their own moments of focused effort and completion.
Philosophically, extreme linearism mirrors the extreme processes we encounter daily. Life is a continuous line, marked by highs and lows, challenges, and unexpected turns. Just as my work captures the essence of a completed line, our existence unfolds through countless moments that shape our perception of time and space.
Consider the extremes in our lives—the loss of a loved one or the pressure of a demanding job. These experiences disrupt our linear path, leaving lasting impressions. My work invites viewers to recognize these extremes, perhaps finding solace or inspiration in the lines you create.
In summary, extreme linearism challenges viewers to see time and space beyond the ordinary, inviting them to engage with life’s dynamics and appreciate the beauty in completion. Whether contemplating a drawn line or navigating life’s twists, we all encounter moments of intensity and significance.
How do you balance personal artistic integrity and the commercial pressures of the art market? What strategies do you employ to maintain authenticity in a field that often commodifies creativity?
Artists often grapple with the challenge of maintaining personal artistic integrity while meeting the commercial demands of the art market. Here are strategies I employ to preserve authenticity in an industry that tends to commodify creativity:
Staying True to My Vision:
Authenticity stems from one's artistic vision. I avoid compromising my distinctive perspective just for commercial success. It's about understanding the reasons behind my art creation and clinging to that fundamental motive.
Connecting with My Audience:
I engage with my audience genuinely, sharing the creative process, inspirations, and the narratives behind my artwork. Fostering authentic connections cultivates loyalty and appreciation among those who connect with my art.
Being Transparent:
Transparency engenders trust. I am open about my artistic journey, the obstacles I face, and my triumphs. Discussing my struggles or offering a peek behind the scenes bolsters authenticity.
Staying Consistent:
Consistency solidifies my brand. I keep a consistent artistic identity throughout my portfolio, social media, and interactions, aiding my audience in recognizing and valuing my unique style.
Experimenting and Adapting:
I strike a balance between tradition and innovation, staying faithful to my foundational style while permitting experimentation. I adapt to evolving trends and experiment with new methods without sacrificing my authenticity.
Embracing Flaws as Part of My Art Brand’s DNA:
Perfection is not obligatory. Imperfections can enhance the character of my work. Authenticity is not about conformity; it's about articulating my truth and resonating with others. Although gallery representation is advantageous, it's my own drive and dedication that have led to substantial accomplishments.
What kind of legacy do you hope to leave behind with your art for the future? Are there any specific conversations or changes you hope to inspire through your work within the art community or society at large?
I do have a desire to contribute and establish a fresh perspective. Even small shifts in perception can ripple through society, sparking conversations and change. By challenging norms and presenting novel ideas, I believe I am already shaping my artistic legacy.
I think acknowledging the need for professional support is essential. While I have achieved much independently, collaboration and guidance can amplify one’s impact. Recognition often hinges on strategic partnerships, allowing artists to focus fully on their craft.
The prospect of concentrating solely on art, unburdened by other responsibilities, holds immense potential. Success often thrives when artists can fully immerse themselves in their creative process.
The challenges faced by aspiring artists are manifold. Life as an artist demands resilience, adaptability, and resourcefulness. It’s not a linear path; rather, it’s a journey marked by twists, turns, and unexpected opportunities.
Education provides a foundation, but it’s the artist’s unique ideas that define their trajectory. Innovations—whether subtle or groundbreaking—shape the art world. Embrace curiosity, experimentation, and the courage to redefine perspectives.
Indeed, personal initiative is the driving force. As an Artists I must actively seek opportunities, network, and persistently create. My commitment to pushing boundaries exemplifies this spirit.
In summary, I would say that my legacy lies not only in finished artworks but also in the conversations sparked, minds influenced, and perspectives shifted. One brushstroke, one idea at a time. So, this would be my message to my fellow artists.
Could you discuss the theoretical underpinnings that inform your approaches to "fencing pictures" and "extreme linearism"? How do these theories manifest in your practical artistic process?
In my artistic practice, I am inspired by the interplay of 'extreme processes' and 'absolute processes' that are a part of our daily existence. Here are three personal experiences to illustrate this concept more clearly.
Tiler at the Shipyard (Absolute Activity):
As a tiler, my work is calm and methodical. It requires precision and focus, with every action deliberate, resembling an 'absolute activity.' I craft each piece with attention, ensuring every tile is perfectly placed.
Bartender (Extreme Processes):
In contrast, bartending is about quick, intuitive actions. In the lively atmosphere of a bar, I serve customers promptly, often without conscious thought, embodying 'extreme processes' that value efficiency and quick response.
Observations During Travel:
On a recent journey, I observed a flight attendant at her sales counter. Her actions were swift and decisive, a flawless execution of extreme activity. This highlighted the stark contrast between absolute and extreme processes.
In my art—whether in ‘fencing pictures’ or ‘extreme linearism’—I channel these contrasting energies. The deliberate strokes of a line or the rapid swirls of a pen mirror life’s dualities. By embracing both, I hope to evoke a deeper understanding of time, space, and human existence."
As your art has evolved, how have your concepts of linearism and surrealism changed or developed? What have been some of the pivotal moments or projects that marked these evolutions?
My artistic journey, interwoven with my life story, has led to intriguing developments in my understanding of linearism and surrealism. I am keen to explore some key moments and projects:
Fencing Pictures:
A solid grasp of art history, including the works of Niki De Saint Phalle, provided the foundation. Yet, it was my training in acting that ignited an innovative concept: repurposing a fencing foil as a creative instrument. By affixing a brush to its tip, I turned fencing manoeuvres into a form of artistic expression. These "fencing pictures" are the result of merging physical prowess with artistic insight.
Salvador Dalí and Surrealism:
An initial encounter with Salvador Dalí's surrealism made a lasting impression. The dream-like, irrational visuals of surrealism struck a chord with me. As a graphic designer, I delved into various artistic styles, including Pop Art. These artistic currents merged, culminating in my notion of "consumptive surrealism."
"Consumptive Surrealism":
This term captures my distinctive style. Prior to formal training, I instinctively portrayed consumer items in a surreal context. With further development of my skills, this idea took a definitive shape. "Consumptive surrealism" melds the mundane with the extraordinary, challenging viewers to reassess their perception of reality.
To sum up, my path from fencing to surrealism has carved out my unique artistic identity. Each phase, whether intentional or fortuitous, has played a role in the evolution of my artistic concepts. The fusion of technique, inspiration, and personal narrative infuses my work with a singular quality.
Considering your critical view of consumerism and the linear processes of daily life, how do you position your art as a tool for social change? What specific aspects of society or which behaviors do you hope to influence or alter through your work?
“While I don’t aim to dictate to viewers, I do hope to provoke thought through my art. Encouraging people to reconsider their everyday behavior is a crucial first step. Given the pressing environmental challenges—pollution, climate change—we must rethink our consumer habits. Interestingly, my intention wasn’t initially to proselytize; however, I’m pleased that my work has unintended effects. Ultimately, I aspire for those interested in art to perceive me as a thoughtful artist—someone whose creations are meticulously considered rather than mere coincidence.”